Basically what we have in Chicago's classic video for the meaty 'Stay the Night' is a story of a woman who would basically rather kill a man than let him grope her.
Peter Cetera, employed in this video as a mechanic-slash-body shop guy, is in love with a woman who might be a transvestite. She/he's not that hot and definitely isn't worth the heck that he puts himself through to pursue he/she. We'll settle on 'she' for the purposes of this review.
But when PC gets too fresh with 'she' while embracing in his garage, she decks him with her purse, even though he's rebuked her to not hit him with an 'air-too-soo' which multiple listens by Hillary and me during the 1980s only revealed about 10 years too late to be the word 'attitude.' Anyway.
So she takes off in her car and Cetera pursues, hanging off the side of the car. And it actually looks like it's him doing it-how many Peter Cetera look-alike stunt men could there be?
When mystery girl does a maneuver that tosses him off the car, he's picked up by some band mates who are driving a pick-up. They know all the words to the song and sing along as Cetera pleads his case from the back of said truck.
They go off a jump and Cetera winds up on the hood of the girl's car, rather hilariously. He gets tossed off again-this time in front of some cops who are also members of Chicago (who isn't? There's like 500 people in the brass section alone).
There's a dream sequence wherein Cetera reminisces meeting the woman for the first time, apparently 20 minutes prior because she's wearing the same outfit, and they exchange some kind of words right around the 3:00 mark. If anyone knows what they're saying, leave it in the comments. As far as I can tell the woman says the word "beef" and PC replies "What?".
So he wakes up from the dream and the chase continues, with the cops trying to convey something to him, kind of caveman-like. They point at him then at her. Anyway, they eventually go off the same jump they went off earlier, only this time the jump is revealed to be a Stargate that transports people through space and time. Though it's broad daylight in LA when they go off the jump, it's midnight in an abandoned movie studio back lot when they land.
The truck explodes into a fiery fireball of fire, even though it's clearly empty and just parked in a stationary position. This does not kill the two occupants of the truck but does mortally wound Cetera, who was riding in the back, if you recall. A doctor-presumbly another band member-who is dressed like an 1860s-era steam train conductor, shakes his head while holding PC's hand, fearing the worst. As Cetera is loaded into an ambulance, still singing along with the song, the ambulance driver is revealed to be...that woman! Who knows what she will do to him know that she's basically killed him-maybe go spin donuts in a parking lot for a while and then drive the ambulance into Cetera's grandpa's rest home, killing off the rest of the Cetera clan just for spite.
It's kind of depressing now that I think about it.
1 comment:
You forgot to mention that in the fiery crash, somehow PC's shoes end up off, and perfectly laid next to his almost shiny white socks.
And notice the mechanic theme was a popular one for the 80s. First Billy Joel, then Chicago and the baby's daddy in Madonna's Papa Don't Preach video was also a mechanic.
I'm sure there are more, but I'm growing tired of typing this all on my iPhone.
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